They also keep receiving weird mail in their name that they never ordered, like porn magazines, but it seems that there is somebody in the house as Natalie is attacked during the night. It's not just things going bump in the night that happen after the couple move in.
It's Jay's sister Claudia who sells the house to Kevin and Natalie, much to the displeasure of her husband Robert. We later learn that these two were Erin, who designed the entire house (that's important for later), and her husband Jay. The bloody opening sees a panicked woman talking to 911 before we hear a gunshot and the camera pans up from her dead body to another corpse missing half of its face, presumably somebody who died by suicide after killing the woman. It's definitely not a true-crime tale though and is a fictional account. Motion Picture Exchange Aftermath ending explainedĪftermath opens by claiming to be inspired by true events, but it's not exactly clear what those true events were and how closely they followed what happened in the movie. Weird stuff starts happening almost immediately in classic haunted house tropes, like their dog Odi barking at an empty closet and things disappearing and reappearing in a different place.īut who or what is actually haunting the house? We're about to delve into major spoilers about the ending, so look away now if you haven't seen Aftermath yet. It doesn't sound like a promising beginning to a fresh start and so it quickly proves after Natalie and Kevin move in. They only know about the home as Kevin is working as a crime-scene cleaner and had recently worked there after a gruesome murder-suicide involving the previous inhabitants. The thriller stars Twilight's Ashley Greene and X-Men's Shawn Ashmore as Natalie and Kevin, a couple who are trying to salvage their marriage and decide the best way to do it is to move to a new home.
#Aftermath ashley greene movie#
While not a Netflix Original movie, Aftermath ticks a lot of boxes of the type of movie that could be huge on the streaming service.
0 kommentar(er)
